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classically trained artists

Art Classes

 


Student show, 2003

Courses available

FALL/WINTER 2010
BETHESDA:
#1 Beth - Academic Drawing (Model/Still Life)
Tuesday  10:00 AM - 1:00 PM
15 session course 09/14/10 - 12/21/10  Price: $675

#2 Beth - Academic Portrait Painting (Model)
Wednesday 10:00 AM - 1:00 PM
15 session course 09/15/10 - 12/22/10  Price: $675

#3 Beth - Academic Painting (Model/Still Life)
Wednesday 6:00 PM – 9:00 PM
15 session course 09/15/10 -12/22/10  Price: $675

#4 Beth - Still Life Painting
Thursday 10:00 AM – 1:00 PM
15 session course  09/16/10-12/23/10  Price: $650

#5 Beth - Still Life Painting
Friday 10:00 AM – 1:00 PM 
15 session course  09/17/10-12/24/10  Price: $650

GEORGETOWN:
#6 Geo - Academic Drawing (Model)
Sunday  10:00 AM - 1:00 PM
15 session course 09/12/10 - 12/19/10  Price: $675

#7 Geo - Academic Painting (Model)
Sunday 1:30 PM - 4:30 PM
15 session course 09/12/10 - 12/19/10  Price: $675

#8 Geo - Academic Painting (Model/Still Life)
Tuesday 6:00 PM – 9:00 PM
15 session course 09/14/10 -12/21/10  Price: $675

#9 Geo - Still Life Painting
Thursday 6:00 PM – 9:00 PM
15 session course  09/16/10-12/23/10  Price: $650

Press here to pay online: 


"Model" courses  are  based on  the  approach  used  by  the  traditional art schools where figure painting/drawing was considered the most  important genre.

~ This approach includes thorough drawing, understanding  of   the  structure and anatomy of the human figure,  ways of   measuring proportions, seeing the unique characteristics  of the form, learning to  see tonal  values in relation to the whole rather than to the neighboring areas.

~ The principals    of   creating a three-dimensional  illusion  by  using  corresponding  tonal values are very significant  to  the course.  We will  analyze  such terms as highlight,  light,  shade, reflection, and cast shadow.

~ Color mixing  is a  very  important  topic  of  the course. The first thing in mixing the right color is   seeing  the  color   right  (meaning in  relation to other colors) and   then   finding appropriate pigments on one’s palette. Flesh tones mixing will be also addressed.

~ Studying  specifics  of oil paint   as  a  material and paint application are other important topics of the course. Some painting experience required.  



 "Still Life" courses  are   based on a  traditional  realistic  approach. Structurally  the courses consist of two-three long-term assignments. Especially since the era of  Cezanne the art of still life lost its label of a secondary genre. It became the true artist’s laboratory, a "model of the world" of some sort, where such important terms like composition, color, texture, material and even emotions come to play.

~ Color and  color  theory  are  the  most important topics  of  the  course. They will include complimentary colors, transformation of color in light and in shade, color harmony. Various color schemes will be used in studio installations.

~ Different   painting  techniques  are  studied  on  such  examples  as the Dutch, Chardin, and other  masters  of still life.  Studying  specifics  of oil paint   as  a  material  is another important part of the course.

Press here to pay online: 

Please call 301 263 0000 or e-mail  to WintrPalce@aol.com to check availability.

 

ART SUPPLY LIST FOR PAINTING CLASSES  

1. Frederix pre stretched canvas.
2. Willow charcoal medium /medium- 1 box
3
. Charcoal eraser
5.Palette, clear plastic (or disposable palette)
6. Palette knife (optional)
7. Palette cups w/lids, double
8. Oil paints: 

Basic colors:
Titanium White (large tube)
Ivory Black
Burnt Umber
Yellow Ochre
Phthalo Green
French Ultramarine
Cadmium Red
Cadmium Yellow
Additional Colors:
English Red or Red Oxide
Raw Sienna
Permanent Rose
Alizarin Crimson
Lemon Yellow 
9. Paint thinner (Odorless)
10. Medium for oil painting (medium drying time)
11. Brushes:
Brushes should not be too soft or too hard. Large and middle size should be flat. The length should not exceed the width significantly. Synthetics are sometimes very good and not too expensive. Soft bristle brushes are good. Look for brushes for oil/acrylic.  Wide brush 1 - 1 1/2" width (some household brushes will do)
Several middle-size brushes #2, #4, #6, #8, # 10 (7/32" to 13/16") 1 ea.
Small round brushes #4, #6. 1 ea.
12. Paper towels or Painter’s Cloth (sold at Home Depot, etc.) to wipe brushes. 
  

 

 

 

 

 

 

 

 

 Press for directions to Bethesda 

 

Contact Information

If you are interested in any of the courses please send us your contact information. Thanks. 

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 Student Show, 2003
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 





Copyright © 2007 Natasha Mokina, Victor Pakhomkin. All Rights Reserved.

 
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